'Emotional Resonance' Martin Grover and Vicky Oldfield, The Marle Gallery, from 12th March to 28th April 2012.
Martin is exhibiting new paintings and prints at the Marle Gallery, Victoria Place, Axminster. The private view is Saturday 10th March 3pm - 7pm. Contact Martin for more information.
Affordable Art Fair, Battersea Park, South London 15-18 March 2012 11am-6pm
Martin will be exhibiting a new range of screenprints and life sized personalised bus stops with Will's Art Warehouse at the Affordable Art Fair
This former student of the famous Royal Academy Schools has consistently produced
intriguing and beguiling work. Not being in possession of a sharp or analytical
mind, he sticks to his strengths, which lie in observation and anecdote. A playful
narrative thread runs through his work, at one moment a little dark and woebegone
and the next humourous and whimsical but always alluring.
Working from life, sketches, memory and photographs he reconstructs ephemeral scenes
from the passing world. Childhood recollections, minor street incidents, slightly
surreal radio traffic bulletins, brief news items, poems, short stories, Brockwell
Park landscapes, the enigmatic allure of sheds and shelters are all recalled and
captured with clarity and wit. At other times in a more trompe l’oeil (trick
of the eye) style he produces very flat still lives of old records in their tattered
sleeves and un-coordinated second hand shirt and tie sets.
A recent and continuing series of paintings has used many local views: parks, road
junctions and railway viaducts, in which he incorporates loose portraits of some
of his favourite singers. Rance Allen, Barry White, Hank Williams, O V Wright, Tyrone
Davis, Irma Thomas, Billy Stewart, The Carter Family and Geater Davis roam these
melancholic urban landscapes singing their songs of determination, despair and lost
love.
His screenprints offer little paeans to iconic traffic signs, bus stops, buses,
and to destinations or states of mind reached and those elusive ones so often glimpsed
or imagined but always tantilisingly just out of reach.
He admires many artists but he has always been inspired and captivated by illustrators
like Bill Robinson, Kenneth Inns, Martin Aitchison, John Berry and Harry Wingfield
whose lucid pictures for Ladybird books seem to capture everyday objects and events
with a halcyon glow; familiar from childhood these images even now continue to cast
a spell.





